In questo numero:<br /><br /><br />Timbre, gesture, communication and musical meaning in some recent works<br />by Ondrej Ad&aacute;mek<br />Carlo Benzi&nbsp;<br /><br />Extended: An Introduction to the Work of Ashley Fure<br />Ross Feller&nbsp;<br /><br />Performing computer music: the case of Ryan Carter&rsquo;s Trying to Connect<br />Paolo Zavagna&nbsp;<br /><br />Andrea Agostini, gli atomi che si accendevano e radiavano, for barytone saxophone and live electronics:<br />from the neutral to the poietic level<br />Fabio De Sanctis De Benedictis<br /><br />Marina Khorkova&rsquo;s Compositional Practices: Research, Language, Techniques<br />Luca Guidarini&nbsp;<br /><br />Reverse engineering of a semiotic machine. On Dmitri Kourliandski&rsquo;s dasein 1&amp;2 (To Say Nothing of III)<br />Andrea Valle&nbsp;<br /><br />Technology between performance and multimedia: an interview with Sarah Nemtsov<br />Giacomo Albert&nbsp;<br /><br />The music of Vito Žura<br />Luisa Antoni