This &ldquo;Progressive Balancing in Staccato - Advanced Progressive Technical Exercises&rdquo; is entirely dedicated to the study of the staccato.&nbsp;This essay is indeed composed by a first part in a major tonality and a second part in a minor tonality, which are in turn divided into a regular and reverse mode. This, first of all, gives the brass instrument players (may they be professionals or students), the possibility&nbsp;to increase their speed, their precision in the technique and in the staccato, developing, by a gradual balancing of the embouchure, the attacks, the staccato, the octaves, the register, the control, the embouchure, the accuracy and the speed in the technique.I suggest to start at a comfortable metronome speed (75-80), to then gradually increase till the maximum reachable speed, in order to accelerate these advanced technical exercises.I abstain on purpose from proposing instructions as regards the dynamics of performance,&nbsp;<br />because in this case they do not play a significant role, in contrast to what usually occurs&nbsp;in music and scores. I suggest, however, to face the exercises of this essay with some&nbsp;dynamics that can go from &ldquo;mf&rdquo; (mezzo forte) up to &ldquo;f&rdquo; (forte), or from &ldquo;mp&rdquo; (mezzo&nbsp;piano) up to a considerable &ldquo;mf&rdquo; (mezzo forte).<br />I leave the player completely free to choose the type of staccato. I suggest however to&nbsp;change it day by day, for example by employing a simple staccato the first day, a double&nbsp;<br />staccato the day after, and a triple one the third day, going back to a simple staccato and&nbsp;so on.Besides, one may choose to play, every other day, major and minor tonalities, or one day&nbsp;only the regular mode and the next day the reverse one, all at the complete discretion of&nbsp;the player.&nbsp;Angelo Piazzini<br />&nbsp;