Indian Art has now obtained a far wider te cognition and a fuller understanding than it had when the first edition of Ideals of Indian Art was published. If it has not yet become a sub ject Of general interest for the public, it is now treated more or less respectfully by our national museums: several able Indian writers have made valuable contributions to it, and European art critics, who before avoided it Or gave it scant consideration, have become its appreciative ex ponents. I have not, however, foimd it necessary to revise the passages in this book which relate to Opinions current at the time-when it was first published, as my readers can easily mark the differences between then and now for them selves. Except for a few necessary corrections and additional notes the text remains unaltered.