THE question as to the great antiquity of London has formed a field for varied and long-continued disputes. An elaborate picture of a British London, founded by Brut, a descendant of Æneas, as a new Troy, with grand and noble buildings, was painted by Geoffrey of Monmouth. The absurdity of this conception, although it found credence for centuries, was at last seen, and some antiquaries then went to the opposite extreme of denying the very existence of a British London.