About seven years ago I began to dictate the first of these Plays to Lady Gregory. My eyesight had become so bad that I feared I could henceforth write nothing with my own hands but verses, which, as Theophile Gautier has said, can be written with a burnt match. Our Irish Dramatic movement was just passing out of the hands of English Actors, hired because we knew of no Irish ones, and our little troop of Irish amateurs — as they were at the time could not have too many Plays, for they would come to nothing without continued playing. Be sides, it was exciting to discover, after the unpopularity of blank verse, what one could do with three Plays written in prose and founded on three public interests deliber ately chosen, religion, humour, patriotism.