<b>O. Voskoboynikov</b>, Pour une histoire du Moyen &Acirc;ge au visage d&eacute;couvert: en guise d&rsquo;introduction &ndash;&nbsp;<b>A. Vinogradov</b>, Face in the Apocryphal Tradition &ndash;&nbsp;<b>A. Muraviev</b>, Facing the Faceless: Eastern Syriac Mystics Before the Mystery of Effacing Self &ndash;&nbsp;<b>A.-M. Makarova</b>, Les portraits royaux de l&rsquo;&eacute;glise de la Nativit&eacute; de la Vierge &agrave; B&eacute;thanie dans le cadre de la culture g&eacute;orgienne (fin XIIe-d&eacute;but XIIIe si&egrave;cle) &ndash;&nbsp;<b>V. Pace</b>, Il ritratto con i denti in vista: una nuova attenzione al volto &ndash;&nbsp;<b>J. Wirth</b>, Face, trois-quarts et profil dans l&rsquo;art m&eacute;di&eacute;val &ndash;&nbsp;<b>M. Bacci</b>, Beards and the Construction of Facial Appearance in the Middle Ages &ndash;&nbsp;<b>F. Santi</b>, Lo schiaffo. Storia, rituali, paesaggi sonori &ndash;&nbsp;<b>F. Galli</b>, No One Will Spend Eternity Behind Christ&rsquo;s Back. The Contemplation of the&nbsp;<i>Facies Christi&nbsp;</i>According to Euclidean Geometry and the Laws of Optics in a 13th-Century Disputed&nbsp;<i>Quaestio&nbsp;</i>&ndash;&nbsp;<b>D. Olariu</b>, Le premier visage d&rsquo;un cadavre dans l&rsquo;art s&eacute;pulcral allemand. Le tombeau de Wolfhard de Roth &agrave; Augsbourg (1302) &ndash;&nbsp;<b>J. Ziegler</b>, The Place of the Face in Pre-Modern Physiognomy &ndash;&nbsp;<b>O. Togoeva</b>, Le visage (in)visible de la sorci&egrave;re &ndash;&nbsp;<b>N. Weill-Parot</b>, Puissance des visages c&eacute;lestes et des visages terrestres: Marsile Ficin et l&rsquo;exploitation du mot&nbsp;<i>vultus&nbsp;</i>&ndash;&nbsp;<b>D. Jacquart</b>, Observation du visage et diagnostic m&eacute;dical &agrave; la fin du Moyen &Acirc;ge &ndash;&nbsp;<b>A. Paravicini Bagliani</b>, Rabelais et le visage du Pape &ndash;&nbsp;<b>E. Steiner</b>, Faces Without Individualization: The Art of Portraiture in Premodern Japan. Indices par&nbsp;<b>O. Voskoboynikov</b>&nbsp;et&nbsp;<b>A. Paravicini Bagliani</b>.