We look in vain in Les Misérables for the blemishes appearing in Ninety Three. Here, on the other hand, there is perhaps the nearest approach to literary restraint that Hugo has ever made: there is here certainly the ripest and most easy development of his powers. It is the moral intention of this great novel to awaken us a little, if it may be - for such awakenings are unpleasant - to the great cost of this society that we enjoy and profit by, to the labor and sweat of those who support the litter, civilization, in which we ourselves are so smoothly carried forward. People are all glad to shut their eyes; and it gives them a very simple pleasure when they can forget that our laws commit a million individual injustices, to be once roughly just in the general; that the bread that we eat, and the quiet of the family, and all that embellishes life and makes it worth having, have to be purchased by death - by the deaths of animals, and the deaths of men wearied out with labor, and the deaths of those criminals called tyrants and revolutionaries, and the deaths of those revolutionaries called criminals. It is to something of all this that Victor Hugo wishes to open men's eyes in Les Miserables; and this moral lesson is worked out in masterly coincidence with the artistic effect. The deadly weight of civilization to those who are below presses sensibly on our shoulders as we read.