<b>Learning Bead Stringing Is More Than </b><br /><b>Putting Beads On A String And Tying On A Clasp</b><br /><br />There is an art and skill to stringing beads. First, of course, is the selection of beads for a design, and the selection of the appropriate stringing material. Then is the selection of a clasp or closure, appropriate to the design and use of the piece.<br />You want your pieces to be appealing.&nbsp; You want them to wear well.&nbsp;&nbsp; You want someone to wear them or buy them.&nbsp;&nbsp;&nbsp; This means understanding the basic techniques, not only in terms of craft and art, but also with considerations about architecture, mechanics, and some sociology, anthropology and psychology.&nbsp;&nbsp;&nbsp;<br /><i>In this book, I go into depth about: (1) </i>Choosing stringing materials, and the pros and cons of each type, (2) Choosing clasps, and the pros and cons of different clasps, (3) All about the different jewelry findings and how you use them, (4) Architectural considerations and how to build these into your pieces, (5) How better designers use cable wires and crimp, as well as, use needle and thread to string beads, (6) How best to make stretchy bracelets, (7) How to make adjustable slip knots, coiled wire loops, and silk wraps, (8) How to finish off the ends of thicker cords or ropes, so that you can attach a clasp, (9) How to construct such projects as eyeglass leashes, mask chains, lariats, multi-strand pieces, twist multi-strand pieces, and memory wire bracelets, (10) &nbsp;How different teaching paradigms &ndash; craft vs. art vs. design &ndash; might influence the types of choices you make.