Knight and Verplanck argue that Shakespeare's Antony and Cleopatra was not written till after the date of Blount's entry, and that this entry referred to some other perform ance 3 their main reason being the admitted fact that the style of this play bespeaks the Poet's highest maturity of mind. I agree, however, with Malone and Collier in as signing the composition to 1607, or the early part of 1608, when the author was in his forty-fourth year. This brings it within the same five years of his life, from 1605 to 1610, which witnessed the production of Macon}; and King Lear. It will hardly be questioned that at the time of writing these dramas the Poet's mind was equal to any achievement within the compass of human thought. Nor can I taste any pecu liarities of style in this play, as distinguished from the proper tokens of dramatic power, that should needs infer any more ripeness of mind than in case of the other dramas of that penod.